Another Sarno flick filled with his usual stock of actors, bringing "class" to the world of exploitation cinema via quality acting and direction. This film is an early example of the "Indecent Proposal" trope.
Kendall Harvey III (Judson Todd) is a rich asshole who hangs out at a go-go club. His assistant, to his right, is the bi-sexual Polly Fields (Patti Paget).
Click (Louis Waldon) is a biker with high aspirations. He knows he can make it big by hitching his wagon to Harvey.
Peggy Johns (Patricia McNair) is a housewife married to Roger Johns (George Wolfe). She meets an old school friend, Bobbi (Joanna Mills), who's an artist in Greenwich Village.
Peggy is a little taken aback by the nude model, but Bobbi assures her that this is the norm in Greenwich Village.
Look who just rolled in: Harvey and his assistant Polly (and this other creepy assistant who never says a word).
Harvey treats Polly like shit; like she's his personal slave. He has sex with her, but she has to do his bidding and call him Mr. Harvey.
Click gets a job getting women for Harvey, working through Polly... a "Love Merchant" you might say.
And here comes the "Indecent Proposal". Harvey will agree to save Roger's ass via connections in the financial sector... in exchange with having sex with Peggy.
Click: "Hey baby, how many cylinders you got in that engine?"
Dixie: "Six... spelled "S...E...X"
Click: "I dig your style. Why don't you hop on the back of my motorized pogostick and see if we can't vibrate around a little."
When Polly discovers them together she freaks out in jealous rage, swinging her chains. Peggy witnesses the violent encounter and realizes what a shitshow this all is. She decides to go find Roger and beg his forgiveness.
While not great, you have to respect Sarno's ability to bring quality to the sexploitation genre. His NYC troupe delivers excellent performances, and the story, while kinda lame, is still engaging. Of course, it would've been better with a bit more sleaze, but this is '66, and Sarno would definitely take things in that direction in the following decade.
★★★★★★☆☆☆☆
No comments:
Post a Comment