I was inclined to avoid reviewing this one since it's so well known, becoming more and more infamous over the years. With the initial controversy (resulting in actual murder charges against Deodato) inviting urban myths that this was actually snuff, the film's cult status was assured. So, let's take a walk through this notorious cannibal film.
News of an American film crew who disappeared in the Amazon rainforest while filming a documentary about indigenous cannibal tribes. On the screen is Faye Daniels (Francesca Ciardi), one of the missing crew, a screenwriter.
Professor Harold Monroe (Robert Kerman), an anthropologist at New York University, agrees to lead a rescue mission in hopes of finding the missing filmmakers.
Monroe gets a military escort to the middle of nowhere along the Amazon and is introduced to his guide, Chaco Losojos (Salvatore Basile).
Lucia Costantini is actually white (an Italian), so they ensured she was covered in mud to look like a native. The crew couldn't get any of the local natives to perform this grueling scene. So, Constantini, who was working in the wardrobe department, volunteered. Lucia Costantini had previously worked on about fifteen films as a seamstress and wardrobe crew; this is her only acting credit. I find it crazy that this wardrobe girl would agree to such explicit material - I mean, it's pretty damn revealing and not the sort of thing you'd expect a random seamstress to just volunteer for. Go figure.
And so, Monroe views the recovered reels of film. The film crew, L-R: Jack Anders - cameraman (Perry Pirkanen), Mark Tomaso (Luca Barbareschi) cameraman, Faye Daniels (Francesca Ciardi) script writer, and Alan Yates (Carl Gabriel Yorke) director.
The infamous "turtle scene" where a giant turtle is killed and eaten. Sorry, I find this shit unnecessary and not fun to watch. I'm up for any manner of "problematic" scenes: rape, murder, torture... but it's okay because it's only a movie. Tell that to the turtle who was really fucking killed.
Monroe says, fuck this. He doesn't want to be associated with this project any more after seeing this footage.
They later find the same Ya̧nomamö impaled on a stake for losing her virginity. In other words it was their damn fault.
The final bit has Faye being raped in the most horrific manner imaginable. It's filmed as if the camera were held by a native, jostling and blurry - which makes it all the more realistic. This part, more than any other, feels like a snuff film.
Her body is carried to another spot to be beaten. Francesca Ciardi provides some explicit views here. When asked about it, she said: "I felt uncomfortable, not so much an issue with nudity but with how director Ruggero Deodato filmed the nude scenes. This bothered me very much and I felt I was being asked to do something I didn't want to do. But he was right. Looking at the film some 30 years on, this was how it needed to be filmed."
It's a brutal and effective film, deserving of the notoriety it has earned. Truly a textbook example of the Streisand Effect. Italy banned it for 3 years, the US banned it for 5 years, and Norway banned it until 2003. So, yeah, of you're going to want to see it. I remember Faces of Death having the same macabre allure back in the eighties.
Enough has been said about this film, so I'll just end by saying that I can appreciate the skill and dark imagination that went into making this movie. However, it's good for a one time view, so you can wear your "I rode the roller coaster" t-shirt. Beyond that, I can't see the value.
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